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Botswana's arts and
crafts mirror the country's rich cultural diversity which
has been brought about by its many tribes. This section is
an outline of the country's indigenous arts, crafts, music,
language, food and beverages.
Indigenous Art
The
decorations known as lekgapho on traditional homes are a very
impressive art which has been passed through generations.
Although the art is slowly dying because many citizens are
now building concrete rather than mud houses, a few traditionally
decorated houses can still be seen in some rural areas.
Basarwa, whose ancestors
are responsible for the rock paintings found throughout Botswana,
still display natural artistic skills. Some canvas paintings
done by Basarwa artists, who have never been to an art school,
show considerable natural talent which can be developed further.
Crafts
Botswana's many tribes
have brought about a considerable variety of crafts. The various
tribes which originated from neighbouring country's such as
Angola, Zimbabwe, South Africa, Namibia and Zambia brought
with them the various skills which complemented local craft.
The following is an outline of some of the crafts;
Iron-mongery
The Kalanga tribe
which originated from the Wange area of present day Zimbabwe
mined iron (the traditional mining method was to make fire
over the iron brick rocks and to shatter the heated iron by
pouring water over it).
Kalanga iron-mongers
forged iron hoes (phangule) and traded them with the Tswana
speaking people in exchange for the latter's livestock.
Pottery

Various
tribes have been making baked clay pots for a number of generations.
The clay pots were used for cooking, water storage, brewing
of traditional beer and for religious ceremonies, amongst
others
Basket Weaving
Basket
weaving is perhaps the most outstanding and perfected Botswana
craft. The leaves of the Mokolwane palm (Hyphaene petersiana)
are used although there are various other bushes and creepers
which can be used as alternatives.
Moretlwa bark wrapped
around grass straws is one of the other common methods. Various
roots and barks are used to give the baskets the desired colour
patterns.
The
various basket designs which have been passed from generation
to generation are associated with the nation's traditional
lifestyle. There is, for example, a zig-zag pattern known
as " the bull's urine trail " which describes the
patterns caused by the movement of the bulls sheath whilst
it walks and urinates Baskets are used for a variety of tasks
such as grain storage, processing and sifting of pounded grain
(sorghum, millet and maize are the most common) and many others.
Bead-work
Basarwa are amongst
the leaders in bead work. Crushed ostrich egg shells and imported
beads are used to make necklace, bangles and other decorative
items
Wood Carving
The
prevalence of a wide variety of trees has facilitated the
development of highly impressive wood-craft. Carvings of various
animals and birds tend to dominate the craft. However besides
the latter category, a lot of items carved out of wood are
used in the home, although many have been replaced by imported
mass-produced items
Amongst the traditional
wooden household items are mogopo (wooden bowls), wooden spoons
of various sizes, kika (wooden mortar) and motshe (wooden
pestle) Communities which stay near the rivers also make wooden
mekoro (boats) which are very popular with foreign tourists.
Music
Instruments
Traditional musical
instruments such as segaba (one stringed instrument), moropa
(drum) and setinkana (hand-piano) are also partly crafted
with wood.
Leather Crafts
Because of the abundance
of the skins of domesticated animals and wildlife, traditional
Botswana society developed various ways of processing the
skins and making clothing, decorated skin blankets and sleeping
mats. The skins are treated with various roots and barks depending
on the intended use.
Although clothes
made traditionally from leather have been replaced by cloth
items, there are still some hunter gatherer communities amongst
the Basarwa (Bushmen) who use leather clothing. Traditional
dancing groups also use leather clothing during their performances.
Exclusive and fashionable leather hand - bags, belts and other
items are also currently factory produced to a high standard
in Botswana.
Tapestry
Tapestry, consisting
mostly of wall-hangings, depict various uniquely Botswana
scenes such as traditional homes and wildlife scenes. The
various tapestry items are popular with foreign tourists.
Music
The
people of Botswana are very receptive to various forms of
traditional, modern, local and foreign music. Botswana's divergent
tribal cultures have also enriched the country's music. Various
energetic and rhythmic dances are performed with the backing
of drums, leg rattles, whistles and hand clapping. Some Botswana
traditional groups have performed in international festivals
and won international acclaim. Songs that appeal to specific
age groups and occasions, such as weddings, initiation ceremonies,
harvest, healing, and entertainment, have been passed on through
generations
Other
forms of music are performed with the backing of the setinkana
(hand piano) the katara (guitar) and segaba (violin). The
guitar has found its way into traditional music, and many
songs with the 'guitar flavour' have been passed from generation
to generation just like segaba music. The music has been sustained
by various talented traditional musicians such as Ratsie Setlhako,
Ndona Poifo, George Swabi, Ompone "Sheleng" Ositile,
Andries Bok, Speech Madimabe, and many others.
Older
forms of music known as dikoma are still performed by old
men with the backing of various traditional instruments made
from the horn of a kudu, called lepatata, and various bones.
PLAY: Ratsie Setlhako
TITLE: Let's Change
The Language
The present generation
of Batswana have a rich heritage of poems, proverbs and folklore
that have been passed on by past generations. Many of the
latter were passed by word of mouth since reading and writing
are, in historical terms, newly acquired skills.
Maboko (Poems)
The subjects of the
poems cover a wide field that includes praises to the dikgosi
and men of outstanding achievement; highlighting the value
of cattle; extolling warriors in past battles and victories;
expressing love, aesthetic appreciation; and showing intimate
attachment to previous experiences. The poetic compositions
could also be based on self-praise.
Proverbs
Like poems, the proverbs
(diane and diane) have been passed from generation to generation.
Many of the Setswana proverbs contain an instructive moral
lesson as the following examples will show:-
O se tshege yo o
oleng, mareledi a sale pele
(Do not laugh at someone who has fallen, there are still slippery
slopes ahead). The moral is, of course, that you must never
celebrate someone else's down-fall because you might be next.
Folklore (Mainane)
As urbanisation and
other factors constantly erode the traditional way of life,
one of the privileges future generations will miss are fire-side
stories told by grand-parents. Known as mainane or dinaane,
these captivating stories were usually related to grand-children
by their grandmothers in the evenings as the family passed
their evenings after the evening meal.
The stories were
related by grandparents who in turn had heard them from their
own grandparents and other elderly members of the tribe. Many
of the stories were about giants, mythical animals, like kgogomodumo
(mythical bird), maruarua (whales), the rabbit and its wisdom,
the fox and its cunning tricks, the weak defeating the mighty,
and many others.
It is interesting
that the Botswana folklore covers, amongst others, animals
such as whales, which are not found anywhere in the land-locked
country. Could the stories be going back to the times when
Botswana had a sea? Were the mythical birds such as kgogomodumo
some kind of dinosaurs? Research might reveal an interesting
link between the stories and other ages
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